Coming to Town: Okla Elliott and Raul Clement for The Doors You Mark Are Your Own, at Atomic Empire and So & So BooksPosted: 21 December, 2015
When UNC-Greensboro graduates Okla Elliott and Raul Clement came back through North Carolina this spring in support of the publication of their debut novel The Doors You Mark Are Your Own (Dark House Press, April 2015) I was caught completely unawares — I have got to keep a better eye on The Regulator’s newsletter! Not so this time, as I’ve got both their reading tomorrow (Tuesday, December 22, at Durham’s Atomic Empire) and early next year (Wednesday, January 6, at Raleigh’s So & So Books) circled on my calendar.
The novel is in turns a postmodern bit of surrealism, an epic literary dystopia, and a Russian science fiction pulp. There’s the book’s fictional “author” (Aleksander Tuvim) and the fake “biographies” of our two “translators”, Elliott and Clement. There are marked-out passages, inset journal entries, footnotes, maps, a Dostoevskian cast of characters, revolutionaries, plagues, sibling rivalries, and subplots and tangents galore. And, at 724 pages, it’s only the first book in a planned trilogy set in the fictional future world of Joshua City.
Here, Elliott and Clement answer a few questions about the trilogy’s origins, their literary influences, the balancing act of side-plot overload, the book’s road to publication and its book design, and when we might expect to see book two. Enjoy! And see you at Atomic Empire tomorrow, where you can also pick up a wide swath of last-minute gifts. And there’s beer on tap. Just saying.
Q: How far back do the origins of The Doors You Mark Are Your Own and “Aleksandr Tuvim” lie? All the way back to your UNC-G days?
We met in 2004, while working at New York Pizza in Greensboro. Okla was a graduate student and Raul an undergrad. The idea went through many iterations. It started with a simple pitch, “Fyodor Dostoevsky’s The Idiot as set in Hollywood,” and then took on more and more elements of science fiction and postmodernism. Originally we envisioned it as something we called “The Platypusical,” which was an odd mix of stage play, musical, and film. Then it became a screenplay. We eventually realized the idea was too big to be contained in that form, so we made it into a novel.
Q: You were both just here this spring on your tour to promote the release of the book; how did this return trip come about, and why (other than the list of good beers on tap!) Atomic Empire for this reading? (I know Raul’s a long time local turned ex-pat, and I’ve held a couple of readings there in the past, but I hardly ever see readings there! It’s a fantastic space.) Read the rest of this entry »