Paul Kincaid’s From the Other Side, November 2015: Europe at Midnight, An Atlas of Countries that Don’t Exist, Trudi Canavan, Mira Grant, Emma Newman, and morePosted: 7 December, 2015
From the Other Side, November 2015
By Paul Kincaid
[Editor’s Note: From the Other Side is Paul Kincaid’s monthly column on books and news from the other side of the Atlantic.]
Earlier this year, when I was noting all the titles in the running for the various genre awards, I was particularly pleased that Europe in Autumn by Dave Hutchinson appeared on three shortlists. Inexplicably, it didn’t win any of them, so I’m expecting the sequel, Europe at Midnight (Solaris), to do rather better.
I say “sequel”, but this new book is not exactly a continuation of the same story, and the engaging hero of that first book only appears on the very last page of this one. Nevertheless, we get the same basic scenario: Europe has shattered into countless little statelets, some no more than a city block in size. And there’s the same spy craft moving the plot along. But Hutchinson has expanded on the ideas we encountered in the first book, so we open in a university that is the setting for a civil war and that we slowly come to realise occupies its own pocket universe. And a significant chunk of the narrative takes place in an entirely different Europe. The third volume in the series is already scheduled for publication around the same time next year, and Hutchinson has tentatively announced plans for at least one more volume after that. All I can say is that if he can keep up this level of invention, this will surely be one of the most interesting and important genre series of the moment.
It’s not science fiction, but an intriguing and timely companion to Hutchinson’s series might well be Nick Middleton’s An Atlas of Countries that Don’t Exist (Macmillan). It’s a tour of 50 unrecognized and largely unnoticed states, including one European republic that had just one day of independence, which rather makes it feel as if Hutchinson’s invention isn’t at all wide of the mark. Read the rest of this entry »
New Zealand-born British novelist Adam Christopher (Empire State, The Burning Dark, Seven Wonders, and Hang Wire) is making a rare US appearance at Chapel Hill’s Flyleaf Books this Saturday [Facebook] to read from his forthcoming novel Made to Kill, which begins his new “L.A. Trilogy” from Tor Books: “Set in Hollywood 1965, Made to Kill is very much a noir mystery, except that the detective is a robot (with a heart of gold) and his Gal Friday is a supercomputer with a Lucille Bluth sensibility. The novel was born out of short story written for Tor.com called “Brisk Money” whereby the author imagines an undiscovered sci-fi novel written by Raymond Chandler.” Joining Christopher in conversation will be Durham author Mur Lafferty, who also took the time to ask Christopher a few questions about juggling genres and projects. Do note the start time for Saturday’s event is 6 pm as opposed to the usual 7 pm, and! There will be wine and snacks, and with both Lafferty and Christopher, it’s sure to be an entertaining time. I’ll see you there! And do check out the fantastic book trailer over at Tor.com, and if you’re reading this from further afield, you might want to check out the official L.A. Trilogy website for the other remaining events on his tour.
— Interview by Mur Lafferty —
Q: Your work is heavily entrenched with American Noir elements. How long have you been a fan of the genre, and what made you want to write your own twist?
I love mystery and crime fiction, and in particular the hardboiled and noir varieties. I’m a huge fan of Raymond Chandler in particular, and I knew that he wasn’t too keen on sci-fi – but at the same time, I thought that a Raymond Chander SF novel would be really interesting. My editor kinda challenged me to write it, and that became the novelette “Brisk Money”, and from that, I suddenly found myself with a whole trilogy of books about a robot detective who is really a robot hit man. This kind of genre mash-up is a lot of fun to write!
Q: You’ve had a very busy year, with novels, tie-ins, and comic books. How do you structure your schedule to handle these projects, and how do you keep so many stories straight in your head? Read the rest of this entry »